这是好莱坞继《南方公园》后又一部开涮力作。原来，美国有一个奋力维护世界和平的组织在保护我们的世界，那就是――环球特警组！这次，环球特警组又将重拳出击。特警组总部收到了可靠消息，世界某个角落里的一名患有“权力饥渴症”的类似于希特勒的独裁者正在向世界各地的恐怖组织兜售大规模杀伤性武器，企图以此制造混乱从中谋利。 特警组的队员很多已为人所熟悉，所以特警组决定招募新人去完成这次的间谍任务。这个名额自然落到了极具表演天赋的百老汇演员加里（催•帕克 Trey Parker 饰）身上。加里首次出战就成功潜入了一个军火交易商的基地。他发现恐怖分子已经开始大量购得大规模杀伤性武器，而黑幕后的独裁者竟然是……

站立喜劇演員阿原晚上要登台演出，整天借錢又遊手好閒的爸爸卻突然驟逝，笑話還沒寫完，馬上要到醫院處理後事。登場在即，他看著爸爸留下的遺物，心中默默做出定……。潘客印主演，喜劇明星黃豪平、微笑丹尼跨刀演出；站上舞台，地獄哽葷素不忌又真情流露，生活荒謬、愁緒難解，就在短短幾分鐘的表演裡正面迎擊。

The film involves a huge snowball fight between the children of a village who split into two rival gangs, one defending a snow castle, the other attacking it. The snowball fight turns into a practical war, until an incident occurs and part of the snow castle crumbles, exactly where one of the children's pet dog was resting during their folly, instantly killing it, and ending the war.

“狂いの雰囲気”が解き放たれた海辺の町を舞台に、14歳の中学生たちの青春が描かれる本作。

Elroy, a depressive cop with burned facial skin, is doing an investigation on a Scottish island. A teenage girl has disappeared, and her mother testifies, seemingly unaffected. The teenager reappears, in fact it is the mother who plays at being her daughter. The cop doesn't seem to be aware of anything, too lost in his depression.

一个晚上，一个女子来到警察局自首，坦承自己多年前将虐待她的丈夫杀害。只是，警察越是不断询问，就越是了解这个女人的生活真相，也越是不想逮捕她。为什么没人怀疑的这个女子一定要认定有罪呢？为什么这位警察一点不想逮捕她？两人中的一人将胜出。但在这样的情况下，谁愿说胜了呢？

冰球是令加拿大举国疯狂的体育项目，电视上，多伦多与蒙特利尔两地的评论员唇枪舌剑，电视前，分处两地的警员马丁（Colm Feore 饰）与大卫（Patrick Huard 饰）却同样面对和子女沟通的障碍。一起发生在州界上的凶杀案让两人走到了一起，但法语区和英语区的差异为他们貌合神离的合作增加了不少佐料。以死者身上的纹身以及现场的直升机为线索，两人逐渐接近事情的真相，但那位纹身杀人狂的动作始终快他们一步，甚至在电视节目中直接向二人挑衅。在办案过程中，马丁和大卫求同存异增进了了解，幕后那位视出卖球队为叛国行为的狂热冰球爱好者也浮出了水面…… 　　本片获2007年加拿大吉尼奖最佳动作电影、最佳全片配乐奖，加拿大喜剧电影节最佳剧本奖。2008年朱特奖最佳国际动作电影、剪辑奖。

Lou和Henry是太平洋西北地区一个小警队中的姐弟侦探组合，他们必须面对各式各样的居民、严重缺乏的资源，以及二人彼此之间、二人与警局局长Big Hank之间非常复杂的关系，而Hank恰好是他们的父亲。

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. 　　At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. 　　One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.